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1. Stupidity — The top of the list for Satanic Sins. The Cardinal Sin of Satanism. It’s too bad that stupidity isn’t painful. Ignorance is one thing, but our society thrives increasingly on stupidity. It depends on people going along with whatever they are told. The media promotes a cultivated stupidity as a posture that is not only acceptable but laudable. Satanists must learn to see through the tricks and cannot afford to be stupid.

2. Pretentiousness — Empty posturing can be most irritating and isn’t applying the cardinal rules of Lesser Magic. This is on equal footing with stupidity for what keeps the money in circulation these days. Everyone’s made to feel like a big shot, whether they can come up with the goods or not.

3. Solipsism — Projecting your reactions, responses, and sensibilities onto someone who is probably far less attuned than you are can be very dangerous for Satanists. It is the mistake of expecting people to give you the same consideration, courtesy and respect that you naturally give them. They won’t. Instead, Satanists must strive to apply the dictum of “Do unto others as they do unto you.” It’s work for most of us, and requires constant vigilance, lest you slip into a comfortable illusion of everyone being like you. As it has been said, certain utopias would be ideal in a nation of philosophers, but unfortunately (or perhaps fortunately, from a Machiavellian standpoint) we are far from that point.

4. Self-deceit — It’s in the “Nine Satanic Statements”, but deserves to be repeated here. It is another cardinal sin. We must not pay homage to any of the sacred cows presented to us, including the roles we are expected to play ourselves. The only time self-deceit should be entered into is when it’s fun, and with awareness. But then, it’s not self-deceit!

5. Herd Conformity — That’s obvious from a Satanic stance. It’s all right to conform to a person’s wishes, if it ultimately benefits you. But only fools follow along with the herd, letting an impersonal entity dictate to you. The key is to choose a master wisely, instead of being enslaved by the whims of the many.

6. Lack of perspective — Again, this one can lead to a lot of pain for a Satanist. You must never lose sight of who and what you are, and what a threat you can be, by your very existence. We are making history right now, every day. Always keep the wider historical and social picture in mind. That is an important key to both Lesser and Greater Magic. See the patterns and fit things together as you want the pieces to fall into place. Do not be swayed by herd constraints: Know that you are working on another level entirely from the rest of the world.

7. Forgetfulness of Past Orthodoxies — Be aware that this is one of the keys to brainwashing people into accepting something new and different, when in reality it’s something that was once widely accepted but is now presented in a new package. We are expected to rave about the genius of the creator and forget the original. This makes for a disposable society.

8. Counterproductive Pride — That first word is important. Pride is great up to the point you begin to throw out the baby with the bathwater. The rule of Satanism is: If it works for you, great. When it stops working for you, when you’ve painted yourself into a corner and the only way out is to say, “I’m sorry, I made a mistake, I wish we could compromise somehow,” then do it.

9. Lack of Aesthetics — This is the physical application of the Balance Factor. Aesthetics is important in Lesser Magic and should be cultivated. It is obvious that no one can collect any money off classical standards of beauty and form most of the time, so they are discouraged in a consumer society; but an eye for beauty, for balance, is an essential Satanic tool and must be applied for greatest magical effectiveness. It’s not what’s supposed to be pleasing: It’s what is. Aesthetics is a personal thing, reflective of one’s own nature, but there are universally pleasing and harmonious configurations that should not be denied.

“Hail Satan”, sometimes expressed in a Latinized version as Ave Satanas (or Ave Satana) is an expression used by some self-identified Satanists to show their dedication to Satan, but has also been used for the purpose of comedy or satire. The phrase is used by some heavy metal musicians and fans—often along with the sign of the horns—as well as by musicians in other genres, including Glen Benton. Use of the “Hail Satan” sign in heavy metal music has been described by Henry Owings of Chunklet as being ironic in intent, rendering the gesture supposedly harmless, however some evangelical Christians, such as Jeff Godwin and Jimmy Swaggart, believe that phrases such as “Hail Satan” in metal music encourages Satanism and may lead to criminal behavior. Believers in backmasking think they can hear “Hail Satan” and other messages to Satan in some songs played in reverse, such as “Walk This Way” by Aerosmith. The variation Ave Satani is sometimes used, because it was used by Jerry Goldsmith in his theme music to The Omen, but, regarding the Latin, its declension is not correct, as it is declined either as a masculine noun of the first declension, or a Greek loan word, and the ending -i- is for some forms of nouns of the second declension.

Members who belong to the Church of Satan and other branches of Satanism sign letters and emails and conduct rituals with a Shemhamphorasch, although their version of it is different and contains 72 names of demons, not names of angels. This usage is designed as an inversion of the Shemhamphorasch used by Jews and Christians. It is taken to mean a kind of desecration in closing or closing in the name of possibly the backwards reading of the angels and likely refers to the demons of Goetia in their hierarchies and with their own special titles like Marquis or President. The demons, on the other hand are organized into nine orders and differ from traditional lists of the angelic Shemhamphorasch. The relationship is unclear. A misconception attributed to the founder of the Church of Satan, Anton LaVey, is that “Shemhamphorasch” means “Hail Satan” in Enochian. It is actually just a reference to these beings as one in purpose for assistance of the Satanist.

The word “Shemhamphorasch” is spoken in Church of Satan rituals, often followed by “Hail Satan!”, as outlined in The Satanic Bible by Anton Szandor LaVey. The Totenkopf Grotto (a German branch of the Church of Satan) proposes an ancient Babylonian-Assyrian derivation for the word as “Šem-ham-fo-raš”, a phrase they say implies becoming one with the Powers of Darkness.

David Shankbone: Could you explain your logo?

Peter Gilmore: The Sigil of Baphomet. Heavy metal people say “Bapho-MAY!” Because they want to take it from the French Templars, where it originally came from the trials of them. But we explain it as there is a goat face in the center of a five-pointed star. The goat face represents carnality. In ancient Egypt goats were considered representations as god symbols of lust, and we think lust is an important factor of biology that keeps humanity going so we value that. The five-pointed star really comes from the Pythagoreans. That is the one figure in which every element is within the golden mean of each other. It’s this wonderful mathematical symbol of perfection, organic perfection specifically. Since we are organic life and enjoy the idea of perfecting ourselves, that star is right for us in there and it perfectly fits the goat head inside. Now around it are two circles, one at the tip of the points of the star and one outside. In that are Hebrew characters starting at the bottom and going counter-clockwise spelling Leviathan. In Hebrew mythology, Leviathan was the great dragon of the abyss, this powerful Earth figure that even Yahweh was afraid of. So all these things taken together creates a symbol that Anton LaVey identified with Satanism specifically. When he started the Church of Satan, usually upside down crosses were considered Satanic, and he saw that these different elements and felt this was a positive symbol you could tie to the Satanism he was creating.

David Shankbone: So much of the symbology references a lot of myths and superstitions, yet you’re antithetical to that. How do you explain how those two notions comport?

Peter Gilmore: We have this approach that we take the dualities and find a third side to it, a way of integrating. You might find that even in Marxist theory, a way of finding opposites and coming with a new synthesis of the different thesis and antithesis. So ritual is natural to people, because humans have a conceptual consciousness. Symbols let us hold much more information in conscious focus, more so than just keeping them separately. So symbols are something we function with. It’s part of our nature. So using ritual activities that are symbolic and have deep meaning to us is common to our species if you look at our history from cave paintings up to every civilization currently existing.

David Shankbone: It’s almost difficult to come up with a symbol that doesn’t reference a superstition in some way.

Peter Gilmore: Absolutely! So we feel that since they are often used to support a fiction, why not let it be used to explore the inner part of our nature. For us, when we do ritual—which we call greater magic—we call it an intellectual decompression chamber. It’s a place where we release our emotions, any emotions that are hindering us, and we use the symbolism we find most stimulating. We leave it in the ritual chamber. You enjoy the self-transformational psychodrama in the ritual where you release any emotions that are hindering yourself and then you go outside and basically pursue your life, being rational and doing what you need to do to make your life as rich as it can be.