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The earliest known connection between the Shemhamphorasch and the Tarot was made by Eliphas Levi in his Clefs Majeurs et Clavicules de Salomon in which he divides the 72 names into pairs, and attributes each pair to one of the four court cards or ten numbers, or one of the 22 major arcana cards, making a total of 36 pairs.

This was further fleshed out in the Golden Dawn’s Book T, which was renamed Liber 78 by Aleister Crowley when he published it in his occult periodical The Equinox. In the system promulgated by the Golden Dawn and Crowley, 36 pairs of angels (or “deacons”) are each given rulership of a 10-degree segment of the Zodiac, and to these are mapped the number cards (excluding aces) from the four suits:

In art the Shemhamphorasch can be seen on the ceiling of the Sistine Chapel. Michelangelo’s fresco has an architectural design of 24 columns. On each of these columns are two cherubs, which are mirror imaged on the adjoining column totaling 48 cherubs figures. Then on the 12 triangular spandals flanking the ceiling borders are an additional 24 nude figures (two bronze nude figures per triangular spandal) also mirroring imaging each other. This totals to 72 cherub figures or the 72 angels of God or names of God. This spread of 48 cherubs and 24 bronze nude figures coincides perfectly with the reading of the three verses in Exodus 14:19-21. Beneath this cycle of angels are 7 prophets and 5 Sibyline oracles, which are patterned after the Zodiac/Calendar year. Beneath that are the 33 ancestors of Christ plus 3 additional symbols denoting the 36 decans of the Zodiac. It is interesting to note that the Zodiac/Calendar year and the 36 decans coupled with the numerical sequence in the Empyream (nine central panels) on the ceiling of the Sistine Chapel denote the spread of the 56 Minor Arcana Tarot Cards.