David Shankbone: Could you explain your logo?
Peter Gilmore: The Sigil of Baphomet. Heavy metal people say “Bapho-MAY!” Because they want to take it from the French Templars, where it originally came from the trials of them. But we explain it as there is a goat face in the center of a five-pointed star. The goat face represents carnality. In ancient Egypt goats were considered representations as god symbols of lust, and we think lust is an important factor of biology that keeps humanity going so we value that. The five-pointed star really comes from the Pythagoreans. That is the one figure in which every element is within the golden mean of each other. It’s this wonderful mathematical symbol of perfection, organic perfection specifically. Since we are organic life and enjoy the idea of perfecting ourselves, that star is right for us in there and it perfectly fits the goat head inside. Now around it are two circles, one at the tip of the points of the star and one outside. In that are Hebrew characters starting at the bottom and going counter-clockwise spelling Leviathan. In Hebrew mythology, Leviathan was the great dragon of the abyss, this powerful Earth figure that even Yahweh was afraid of. So all these things taken together creates a symbol that Anton LaVey identified with Satanism specifically. When he started the Church of Satan, usually upside down crosses were considered Satanic, and he saw that these different elements and felt this was a positive symbol you could tie to the Satanism he was creating.
David Shankbone: So much of the symbology references a lot of myths and superstitions, yet you’re antithetical to that. How do you explain how those two notions comport?
Peter Gilmore: We have this approach that we take the dualities and find a third side to it, a way of integrating. You might find that even in Marxist theory, a way of finding opposites and coming with a new synthesis of the different thesis and antithesis. So ritual is natural to people, because humans have a conceptual consciousness. Symbols let us hold much more information in conscious focus, more so than just keeping them separately. So symbols are something we function with. It’s part of our nature. So using ritual activities that are symbolic and have deep meaning to us is common to our species if you look at our history from cave paintings up to every civilization currently existing.
David Shankbone: It’s almost difficult to come up with a symbol that doesn’t reference a superstition in some way.
Peter Gilmore: Absolutely! So we feel that since they are often used to support a fiction, why not let it be used to explore the inner part of our nature. For us, when we do ritual—which we call greater magic—we call it an intellectual decompression chamber. It’s a place where we release our emotions, any emotions that are hindering us, and we use the symbolism we find most stimulating. We leave it in the ritual chamber. You enjoy the self-transformational psychodrama in the ritual where you release any emotions that are hindering yourself and then you go outside and basically pursue your life, being rational and doing what you need to do to make your life as rich as it can be.
